Category Archives: Advice From A Dude

Called It : Rockstar Games did Something Incredible

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Back in 2013, as part of an elevator pitch about how to improve open-world video games, among other things I suggested expanding wilderness areas:

Certain types of game terrain benefit from a sense of scale. Specifically, wilderness types of terrain. When traveling through woods and seas and deserts and plains, the repetition and vastness add to the ambiance. But, game designers seem to like cramming theirSo, now that we have all this extra computing power, how about stretching the outside of new game worlds only in wilderness areas where repetition is a virtue? … Acre after acre of trees in the Wyrmwood? Yes, thank you. Stretches of open sea where you can’t sight land? Of course. wilderness areas with frustratingly dense settlement patterns, so that you can hardly get a sense of not being right outside of town. And, that’s because you typically are right outside of town.

I reiterated this in regard to Assassin’s Creed : Black Flag in regard to the cramped feeling of the virtual sea.

Well, a prominent YouTube video game channel has noticed something I had also noticed while playing Red Dead Redemption 2: the open-world seemed remarkably uncramped. But this guy, Luke Stephens, took it one step further by actually gathering data on various open-world games and comparing them to RDR2. He discovered that Rockstar Games actually doubled the effective size of the game’s wilderness areas compared to similar games.

Take a look at the analysis. It’s fascinating.

Here is a simple and reasonable way to classify common objects in space

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People are talking about reworking the definition of “planet” again. To be honest about it, did they ever stop after the Pluto debacle? I’ve been in it, too, slamming the truly idiotic definition of a planet asserted by the International Astronomical Union (IAU).

Recently, however, it’s not the bottom end of the definition of planets (where Pluto got the boot) that’s the issue, it’s the top end where gas giants fade into stars.

I’ve thought about that boundary as well. In fact, I had already worked out a completely new (and, I believe, more rational) system of classifying heavenly bodies for an unpublished preface to the science fiction novel Xenes. In fact, I may include it as an appendix. But, I’ll share it here, outside the narrative context.

The basic idea was to conduct differential diagnosis in reverse. First divide everything we find in space into two distinguishable halves, and then repeat that process until there was a workable typology. Specifically, a workable typology that had nothing to do with where the object was in relation to other objects, i.e., what the object was orbiting or whether it had “cleared its orbit” of other objects. A typology of what objects are, not where they are.

IS IT ROUND?

The first division is between orbs, objects large enough for hydrostatic equilibrium to make their surfaces essentially round, and scalenes, from the Greek for uneven, rough, rugged. The standard for hydrostatic equilibrium is present in the IAU’s typology, but they staple on expectations about the object’s path in space, relational standards to other objects that really should have no place in determining what an object is.

Orbs would include everything from what we now call dwarf planets through planets, gas giant planets, and stars to black holes.

Scalenes would include basically everything else, from asteroids and comets all the way down to dust. Anything that isn’t massive enough to become round through hydrostatic equilibrium.

Now, this scalene-orb divide puts Pluto and other “dwarf planets” on the same side as Earth, Jupiter, stars, and black holes. Which is a fairly diverse bunch of things. So, we need to apply the same diagnostic technique to orbs.

DOES IT HAVE A SOLID SURFACE? (OR…)

Having a “solid surface” is a problematic definition. It certainly puts Pluto and Earth in the same category, right? But what about ice giants like Neptune and gas giants like Jupiter which, under all that atmosphere, are believed to have a solid core? Also, the solid surfaces of some objects conceal a huge mass of liquid, like the Earth’s rocky mantle or the water oceans believed to exist inside Ceres and Enceladus.

So, let’s do this. An orb is a planet if its volume is dominated by solids and liquids. Regardless of where it is in relation to other objects. Thus, regardless of what it orbits or whether it has “cleared its orbit,” whatever the hell that means.

This puts off our term for orbs like Jupiter and Uranus for later, of course. But, this also means not only that Pluto and other trans-Neptunian orbs would be planets, but including orbs like Ceres, Titan, Ganymede, and even Earth’s moon Luna. We can still use the word “satellite” as a modifier to describe planets that orbit things that aren’t stars. But they would be satellite planets. And, we could colloquially use “moon” to describe planets and scalenes (like Deimos, a satellite scalene of Mars) that orbit things that aren’t stars, but this would no longer strictly be a scientific term.

This approach might seem ambitious, but it’s also rational and scientific. A thing is what it is based on its own characteristics, not based on where it is in a spatial relationship. A can of beans doesn’t become something other than a can of beans because you put it on top of a box of macaroni or in a shelf beside other cans. This definition of planet is the rational and scientific approach, even if it upends our traditional ways of thinking.

A planet would be any orb with its volume dominated by solids and liquids. Which brings us to the next boundary.

IS IT DOMINATED BY GASES?

This seems like a straightforward boundary. But, are we talking dominated by mass or volume? Considering the relative mass of solids and fluids, I would select volume.

First, terminology. I reject “giant planet” for the same reason I reject the IAU’s “dwarf planet.” Both “giant” and “dwarf” are modifiers. Being a “dwarf planet” means Pluto is still a kind of planet, a grammatical reality that the IAU doesn’t seem to understand. It’s one of the things that makes their attempted demotion of Pluto logically absurd. Calling orbs like Saturn and Neptune “giant planets” would be, frankly, dumb.

Instead, given the hazy boundary between what we now call giant planets and small stars, I would call objects dominated by gases stelloids. They certainly aren’t in the same category as planets like Titan and Mars but, although their make-up differs significantly from plasma-dominated stars, they resemble stars more than planets in their form and internal dynamics.

This obviously also defines the next category, stars, which would be orbs dominated by plasma. Both the stelloid and star categories have obvious internal boundaries that need addressed, but the basic boundary between stars and stelloids is relatively easy to navigate.

The fuzziest boundary is between planets and stelloids, given that we should expect a significant gray area between smaller stelloids like Uranus or Neptune and planets with thick atmospheres like that of Venus, which is 90 times more dense than Earth’s. We can work that out as more planets are discovered outside our Solar System. The standard of volume, I believe, is the best standard.

And this, beyond stelloids and stars, bring us to our final category.

DOES IT HAVE AN EVENT HORIZON?

At a certain point, the mass of a plasma-dominated orb bends physics to create the infamous event horizon. This is the only place where physics makes having the standard be mass-based rather than volume-based bring sense to the typology. At this boundary, it’s mass that changes the nature of the orb.

The current system refers to these objects as “black holes,” which is a strange designation considering the radiation that exudes from them. Given the one-way nature of the event horizon (setting Hawking radiation for the moment) I suggest we call these object “sumps” because matter and energy drains into them. This is also a much less sensational term that doesn’t subject itself to pseudoscientific, “I LOVE SCIENCE” style of goofy speculation.

So, below is a graphic outlining the typology described above. I hope you see hope for astronomy in this and share it far and wide.

Find Your Own Light

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NaNoWriMo – Writing on the Fly

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I haven’t always been a huge fan of NaNoWriMo, and in fact I’m still a bit ambivalent about it. But, as in institution it’s clearly not going away and, to be fair, some pretty good books have come out of it. So rather than critiquing it, this year I’ve worked up a summary of the main points in my Writing Archetypes series, to help NaNo fans write on the fly.

This is geared primarily toward younger writers wanting to do fantasy or sci-fi, but it should help anyone. Enjoy!

Writing Advice: The Many Faces of the “Rule of Three”

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jnl-redhatWith Valentine’s Day close approaching, most of you are thinking of two: yourself and that special someone.

But, Golden Girls fans might be thinking of three, due to one of the most quotable quotes of the series, from an episode called “Valentine’s Day.”

CondomsIn a pharmacy, the three youngest Girls are preparing for a romantic weekend with three men. Blanche hints that they should take “protection” with them. After Rose guesses incorrectly what Blanche means (three times!) Dorothy blurts out:

Condoms, Rose! Condoms, condoms, condoms!

That thrice repeated emphasis is an example of what the Romans called omne trium perfectum, meaning “every three is perfect.” We see this pattern both in literature and the visual arts. In photography and painting, it is often called the Rule of Thirds. You can actually see this in the Golden Girls gif at right, wherein Dorothy is the middle third of the image.

In writing, it is called the Rule of Three. But, although all threes may be perfect, not all threes are the same. For the benefit of my readers who are also writers, I want to discuss the various forms of the Rule of Three and, in honor of season three of Black Sails, I’ll include a few examples from that popular and well-written series.

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The novel won’t stay buried, and neither will its inventor

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Frankenstein-Its-AliveEveryone loves the zombie novel. No, I don’t mean a novel about zombies. I mean the novel itself as an artform, which walks on undeterred by  premature declarations of its demise.

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My Top Ten list of writers

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AutumnEverybody has their Top Ten lists. Sure, lists are a viral sensation in the Age of the Internet, but let’s not forget that Casey Kasem was counting down our Top 40 favorite songs for years in the Age of Radio. And, in earlier centuries, America’s Founders came up with a Top Ten List of Amendments to the Constitution, which Americans now call the Bill of Rights.

Generations of Medieval theologians gave us lists of angels and archangels, not to mention the Top Seven Deadly Sins. The Hindus gave us a Top Seven list of chakras. Greeks had their Top Twelve list of gods, and Plato had his Top Four list of virtues. Gautama had two lists: the Top Four Noble Truths and Top Eight factors that lead one to the cessation of dukkha.

The West gave us a Top Four list of elements. The East gave us a Top Five list of elements. And Moses counted down the Top Ten Commandments over 3000 years ago.

So, in that ancient and noble tradition, I tried to come up with a Top Ten list of writers who have influenced my writing or my thoughts on writing. Here we go! Continue reading

Should you never say these things to an author?

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mytwocentsLists of things you should “never say” to this or that group of people are a plague on the Interwebz.

For one thing, they are typically arrogant assertions of privilege and entitled elevation above normal human interaction. Moreover, they’re often premised on a subtext of denigration and grievance against the class of people presumed to be saying the things in question. Often, the “things to never say” are strawman arguments, gross exaggerations, or distorted misquotes intended to slander a certain kind of person as unsavory, vulgar, or deserving of disdain.

How dare one of you say such a thing to one of us? Yeah, go f*ck yourself.

So, when I recently saw a list of things to never say to authors, I thought maybe I should comment on it since I’m in the elevated in-group rather than the denigrated out-group. Continue reading

Good dialogue is never simply dialogue

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hollywoodReviewing the screenplay for The Wall, a story about a sniper pinned behind a wall by an enemy sniper who clearly knows him, Christopher Pendergraft at Script Shadow makes a fantastic observation on dialogue that every writer needs to read.

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You don’t make a better story by crapping out on plot

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readingIn discussing a recent stop-gap installment in a popular fantasy series, Jim Bennet at the Deseret News offers this critique of anti-plot elitism in literary criticism:

The fact is that there are plenty of pointless, pretentious stories out there, along with snooty supporters of these stories who denigrate the people who aren’t part of the club. If someone dares to point out that the emperor has no clothes, that someone obviously isn’t smart enough to appreciate the finer things in life. You see this attitude in English departments in universities all across the country. In the mind of the professorial class, true literature consists entirely of impenetrable books that require the intervention of academia in order to make any sense of them at all. Books that people actually love to read are dismissed as juvenile, silly and a waste of time.

There may have been a time when I cared what others thought of my literary tastes. But that time has long since passed. At this stage in my life, I expect stories to include plots that are clear and compelling and characters that matter to me.

If that makes me a rube, so be it. At least with the rubes, the reading’s a whole lot better.

I would phrase it this way.

There are many ways that a story can be valuable: (a) well-written prose, (b) compelling characters or setting, (c) sophisticated ideas, (d) clear plot. Subtracting any of these subtracts from the value of the story.

a + b + c < a + b + c + d