Category Archives: My Two Cents

Publishing Saturation

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There are some numbers floating around the internet, allegedly drawn from Publishers Weekly (but referencing a now-defunct link to a PW Daily installment), that show the number of publishers over time starting in the late 1940s.  The numbers are intriguing, however, because when they are charted they exhibit an exponential growth curve.

Of course, there is a legitimate question as to how many of the later “publishers” are actually one-off enterprises set up to sell a single author’s book or set of books, in which case an apples-to-apples comparison might show a more reasonable growth curve.  For example, PW’s 2002 numbers show that the big five New York publishers accounted for nearly half of the market, while Andre Schiffren at the Washington Post reported in 2000 that the top 20 publishers accounted for 93 percent of sales.  Perhaps the growth curve is largely about the extension of the lower margin of a very tight power law distribution.

Anyone have more reliable numbers?

Odd Thought on Market Saturation

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I think my next short story is going to be about vampires, but instead of sucking the lifeblood out of humans, they suck the lifeblood out of their own literary trope.

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[And, as a sequel, maybe something about zombies that eat just the creative part of the brain … not the whole brain, like the mirror neurons and the parts that make us do the same thing other people do …]

Promotion Advice You Can Do Without, From The Ministry Of Positivity

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A never-ending torrent of advice pours down on the web about how to build a popular website, and aspiring writers are not spared this flood of counsel.

Afflicting far too much of this advice is a truly obnoxious blogging personality disorder: positive-thinking conformism. I’m talking about that sunny-faced variety of aggressive social pressure, typified by hypocritically griping about everyone else’s griping while pretending to give out positive, “expert” advice — advice that has no basis in objective reality.

Worst of all, this unrealistic griping often subtly attacks others who at least try to base their gripes in objective reality, stigmatizing them as trouble-makers and “know-it-alls.”

In all seriousness, what this online happy-thoughts dogma really boils down to is a broadcast form of relational aggression, a type of bullying based on shaming and threats of ostracism. Scan the promotional advice websites, and you’ll quickly bump into the primary tactic of this covert control-freakery, a list of “negative” blogging styles that freshmen bloggers had better avoid if they want to sit at the Cool Kids table.

But, you might object, isn’t it true that being gripey inhibits success online and in writing? Absolutely not, and we’ll get to the abundantly obvious evidence for this later.

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Category: My Two Cents

Three Action Flicks In One Week

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With my son Jack in town last week, I hit the theater to see three action movies in a row.  Not my usual pattern of film selection but, hey, you can’t take a tween dude to see art-house niche flicks jammed with casually transgressive sex, dry social commentary, and/or confusing cinematography.

Plus, yeah … I do like action flicks, too.  After all, you don’t hand in your Y chromosome when you get your first full-time job.

In the interest of this website’s basic premise, let me offer mini-critiques of these three films as story-telling.  WARNING: Some of the commentary below could be considered spoiler-ish.

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My, How Things Have Changed

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Some time ago, I dug into Patrick Kiger‘s list of literary one-hit wonders to see what they all had in common.  What I found was that none of them followed what has become accepted as the “way things work” in the book biz.

One of the authors on the list, Ross Lockridge, dumped his masterpiece Raintree County inside a beat-up suitcase in a publisher’s lobby. Not only was it read, it was published, recognized as genius, and later adapted for the big screen.

Of course, Lockridge pulled his stunt in the mid-1940s.

Recently in Los Angeles, a writer tried a similar tactic to get his screenplay read by a literary agent.  Rebuffed multiple times, he decided to leave a briefcase containing the screenplay with the lit agent’s front desk.

The result? The police were called, and destroyed the briefcase with explosives.

O brave new world! That has such protocol in it! So long, Raintree County. Hello, vapid celebrity memoir!

Category: My Two Cents

Best First Lines (according to Leith) – Part 4

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In part one of this series, I discussed the pros and cons of insisting on killer opening lines, how it serves the interests of agents and editors more than readers, yet how a strong first line can still lend an air of dignity and confidence to any story. In part two, I presented my favorite first lines based on engaging ideas, and in part three, dived into engaging characters.

Today I want to dig into my third list of Best First Lines, six of them, dedicated to openers that present the reader with an engaging setting.

Now, you might assume that setting is distinct from the characters in it, but several of the lines in my list below show how characters — reduced to their most basic, introductory aspect — can strongly bring out the flavor of a setting.

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Best First Lines (according to Leith) – Part 3

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In part one of this series, I discussed the pros and cons of insisting on killer opening lines, how it serves the interests of agents and editors more than readers, yet how a strong first line can still lend an air of dignity and confidence to any story.  In part two, I presented my favorite first lines based on engaging ideas.

Today I want to dig into my second list of Best First Lines, six of them, dedicated to openers that present the reader with an engaging character.

You might think that the “engaging character” in question would always be the first-person narrator but, as we’ll see, that’s not always the case.

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Best First Lines (according to Leith) – Part 2

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In part one, I discussed the pros and cons of insisting on killer opening lines: how it serves the interests of agents and editors more than readers, yet also how a strong first line can lend an air of dignity and confidence to any story.

Today I want to dig into my first list of Best First Lines, six of them, dedicated to openers that present the reader with an engaging idea.

Now, don’t be quick to assume that openers based on engaging ideas are dry, intellectual, and (to writers and readers who like “human” stories) boring. Very often, this sort of opener presents an idea about human relationships, and how the characters you’re about to meet are going to stumble over it.

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Best First Lines (according to Leith) – Part 1

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I have a list of favorite opening lines from works of fiction — in four neat stacks! — but I don’t want to show them just yet. Today, I just want to settle a few things about opening lines.

Ready for a little heresy? Then, you’ve come to the right place. Let’s go!

I realize that this is one of the Ten Commandments of writing advice in this era of slushpiles runneth over, but “Thou Shalt Write A Killer Opening Sentence” is silliness.

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Chuck Tells You It’s Time To Quit Writing

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Remember the last time I posted an item on writing? Yeah, me neither.*

And why? Because I’ve been writing. Because I love writing. I love it more than I love writing about writing. And, way more than I love scrambling like a methed-up hamster in the writing self-promotion wheel.

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Category: Blogroll, My Two Cents